Hack wrote this to commemorate the passing of Humphrey Bogart, who died 69 years ago today. In truth, the constraints of the Production Code in force at the time wouldn’t allow them to use the scene in The Maltese Falcon where the femme fatale has to take off all her clothes to prove she didn’t steal a $1000 bill in the 1941 Bogart film. But it is in the novel and the 1931 pre-code version so Hack plugged it into this book because we’ve had a stressful morning. He even made Natalie Wood the character to cheer us up that much more. Hack can be a nice guy when he wants to.
Sunday bled out slow and sour at Casa de Jonny, like cheap liquor seeping into an expensive rug. Jonny, Linda, Boris, and Pussy lounged in obscene comfort while Pinion the butler performed the last rites of Christmas—stripping the tree bare, needles biting through his tuxedo trousers, sap clinging to him like a bad memory. He dragged the dead pine half a mile downhill to the dumpster, its branches clawing the pavement in protest, before returning to serve Champagne, catnip, and pug food with hands that still smelled of resin and defeat. Inside, the air was warm and golden, heavy with luxury and self-satisfaction. Outside, something watched. Pinion felt it in his spine, a cold finger tracing tomorrow’s date.
They ate like royalty on the edge of a cliff. Lobster tails flew, laughter cracked, bubbles hissed in crystal flutes as Boris snorted happily and Pussy rolled in narcotic bliss. Pinion’s unease earned him nothing but mockery. “There’s nothing out there, Pinion, you idiot,” Jonny sneered, beauty and cruelty sharing the same smile. “Go get us another bottle of Moët & Chandon Imperial Vintage 1946 from the wine cellar.” As the butler turned away, dignity straightened but fear stayed hunched, he caught it again—a hideous green blob skittering behind a cypress, moving wrong, like a thought that shouldn’t exist. He nodded and obeyed, because that’s what servants do when the world pretends it’s safe.
The cellar steps groaned beneath Pinion’s shoes, each one a countdown tick he could almost hear. He knew then what Jonny didn’t: looks, brains and excessively large penises don’t stop Mondays. They arrive anyway, wet and hungry, dragging the week behind them like a corpse. The green thing outside wasn’t just flesh—it was inevitability, slime wrapped around the calendar. Pinion tightened his grip on the bottle and squared his shoulders in the dark, alone with the wine and the truth. If anyone was going to slow the dread creeping toward Casa de Jonny, it wouldn’t be the laughing gods upstairs. It would be the butler with pine needles in his cuffs, standing between Sunday and the thing that came next.
Jonny watched the Packard fishtail down the alley, exhaust coughing like a dying bullfrog, the blonde bombshell behind the wheel shrieking at her sister/daughter/niece/second cousin in that high-strung way that made every vertebra in Jonny’s spine beg for mercy. She’d been nothing but trouble from the moment she waltzed into the agency flashing those baby-blue peepers and waving a retainer check big enough to pave over her neuroses. But it was Jonny’s ex-partner on the force—a tall drink of nitroglycerin whose slow burn around him could’ve been detected by airport security—who made the next move. She raised her service piece for a polite little “stop or I’ll shoot” communiqué… only the communique went rogue, zipped through the dawn haze, and rearranged the dame’s golden noggin into something resembling a seven-layer dip left too long on a picnic table.
When the smoke cleared and the three of them gathered round the wrecked beauty, Jonny felt a jig bubbling inside him like champagne in a thin glass. She’d been a headache, sure, but sweet saints of the city, what a dish. He’d even bragged—loudly and to anyone within earshot—about the time he’d done the horizontal hula with her. Now, with her skull looking like a Jackson Pollock study in red, he couldn’t exactly break into a victory Charleston in front of gawking bystanders clutching their shopping bags and moral expectations. Jonny’s face needed to broadcast “tragic remorse,” but his soul was performing a conga line, and that was a tricky two-step to pull off without coaching.
Luckily, Boris knew his partner’s heart was made of equal parts confetti and ratchet straps, and he’d taken precautions. From the shadows stepped a lone trumpet player—Boris’ doing—blowing a low, mournful note that told Jonny exactly what emotion he ought to paste across his mug. With the horn’s wail guiding him, Jonny mustered up a look of deep, operatic angst while privately debating whether to stream some trashy reality show or the latest Bill Burr standup special on Netflix that night. Boris padded close, laid a steadying paw on his partner’s shoulder, and whispered the words that deepened Jonny’s fake grief just enough to fool the crowd and maybe, just maybe, fool himself.
Hack was so thrilled with how well Catfight turned out that he immediately went to work on this sequel. It was one of the rare times where he was right; it’s pretty awesome.
