Category: Detective

Rainy Day Romance

The rain came down like a busted fire hydrant on Ventura Boulevard, turning the night into a shimmering smear of headlights and neon. Jonny M. and Boris had been nursing lukewarm coffee on their fifth hour of stakeout when the sky cracked open and dumped a month’s worth of water on Van Nuys. They sprinted for the nearest shelter—the crooked awning of the Meet Cute Boutique, its pink lettering flickering like a dying heartbeat. By the time they skidded to a stop, Jonny smelled less like a hardboiled detective and more like a wet dog named Boris, and Boris smelled like something that would make a wet dog file a complaint.

Out of the watery haze stepped a vision with long black hair plastered down her back, glasses fogged to milky ovals, and a white tank top and denim shorts soaked so thoroughly they left no secrets to the imagination. She laughed—an easy, musical sound that didn’t belong in a neighborhood where most laughter came in the form of a threat. She introduced herself as Chloé, talking fast and bright, telling Jonny and Boris—though mostly Jonny—about her wild life, her dreams, her disasters, her scrapes with luck both good and bad. Jonny listened like a man hypnotized, nodding along like every word she said was a gospel he’d been waiting to hear. By the time the storm tapered off into a lonely drizzle, he was halfway to picking out baby names.

But Boris… he wasn’t sold. Something tugged at the back of his mind, a splinter of recognition he couldn’t dig out. That night he shook himself dry, curled into his trench-coat nest, and tried to sleep. Instead he bolted awake in a cold sweat, heart pounding like a tom-tom drum in a cheap jazz club. He suddenly knew where he had seen that smiling face framed by long black hair: on a wanted poster thumbtacked to the bulletin board at the station. Chloé. Wanted for murder. And Jonny, poor fool, had fallen headfirst into her story—without once noticing the blood on the last page.

Romeo’s Closing Night

Actors’ Day in Van Nuys was supposed to be a harmless holiday—parades of washed-up thespians, discount makeup at the drugstore, and free coffee for anyone who could quote Hamlet without stumbling. Jonny M. and Boris the pug had finally scored something rarer than a fair fight in this town: a night off. They even had tickets—actual paid-for tickets—to see the legendary tragedian Jehoshaphat Merlin give his 5,000th performance as Romeo with his ramshackle traveling Shakespeare Company. Merlin was eighty-three if he was a day, with more wrinkles than a bulldog and a voice that shook like a cheap neon sign in the rain, but the crowd came anyway. Folks didn’t watch Merlin for Romeo—they watched him for the ham. And he served it thick, with gravy.

Juliet was played by the stunning blonde starlet Juliet Valentina, a woman so beautiful she made the moon look overpolished. Acting, however, was not one of her gifts. She couldn’t “cat her way out of a paper bag,” as the critics liked to say, but no one cared—as long as she kept glowing like she’d been dipped in stardust. The rest of the company tried to claw their way through the performance blind, because the only light on the stage was the follow-spot glued to old Merlin’s face. Everyone else lurked in total darkness, save for Valentina, who shimmered on her own like some celestial stage prop. It was the kind of theatrical disaster only Van Nuys could love.

Then the night cracked wide open. Merlin had just launched into one of Romeo’s longest soliloquies—something about love, death, or maybe indigestion—when a gunshot ripped through the auditorium. The old actor staggered, gasped, and collapsed in a heap of brocade and bravado. The stage went pitch black. A collective scream rose from the audience. Then, just as abruptly, the house lights snapped on and the curtain dropped like a guillotine. The theater manager trotted out, sweating like a sinner in church, and announced that the great Jehoshaphat Merlin was “indisposed,” the show was cancelled, and refunds were “not an option in these difficult financial times.”

But before the stunned audience could finish booing, a final message drifted from behind the curtain—Merlin’s voice, weak yet unmistakably theatrical, requesting, “If Jonny and Boris could please come backstage… to investigate an urgent matter.” It was the old showman’s last line, and he delivered it with all the pomp he had left. Jonny looked at Boris. Boris looked at Jonny. Actors’ Day had turned into murder night, and it looked like the Jonny & Boris Detective Agency was clocking back in.