The Party

This is the only Hack Werker novel where Hack appears on the cover. He was depressed about the social distancing required by the coronavirus pandemic so he asked his cover artist Jonny M. to depict him for the first and last time. It relives an actual incident where he was talking to his friend, world famous dominatrix Snow Mercy, at a party when he began diddling himself. Hack swears he doesn’t remember what happened after that but he woke up in an alley with his backside so bruised that it looked like two rotten avocados and Snow Mercy had to have hand surgery shortly afterwards.

The Tall Fiddler

This Jonny M. adventure was based on the exploits of Jonny’s buddy James “Tree” Cleveland, an accomplished fiddler whose serenades to the ladies got him more poon tang than Hack got in his wildest dreams.Hack got so excited after finishing it that he took his kazoo to a nearby girl’s Catholic school and played old Tony Bennett songs on the physical education field until he was dragged off by police.

Concertina Madness

Hack went through many phases where he thought that playing a musical instrument would make him irresistible to women. The concertina era was probably the most disastrous where he would confront random women frantically pumping the bellows (which he had no concept of how to actually play) and then proposition them sexually, inevitably receiving a brutal beating from their male companions or from the women themselves (often both). He wrote this highly idealized novelization of the experiment in which the fictional version of himself was infinitely more successful with the ladies than he was in real life.

In the Arms of the Angels

Hack originally wrote this book in 1960 as an unpublished manuscript titled “Horny Angels Come to Earth to Screw Horny Men,” but reworked it after his cover artist Jonny M. told him of his fondness of Ms. McLachlan’s music and especially her song “Angel.” Although Jonny created the cover for the rewrite because he was contractually obligated to, the pornographic nature of the novel drove a rift between the two men that took years to heal.

The Client was a Maneater

Kate Micucci is an actress known for her appearances on such TV shows as “The Big Bang Theory,” “Scrubs” and “Raising Hope,” and for her work with Riki Lindhome as the musical duo Garfunkel & Oates (named after second bananas from other famous musical duos). Hack developed an obsession for her after hearing their comedy song “The Loophole” about some Catholic girls getting around sacrificing their virginity with their boyfriends by engaging in anal sex. Since anal sex is one of the most prominent themes in Hack’s works, he wrote this novel in which Ms. Micucci knocks out John Oates with her ukulele and assumes his identity, taking her down a trail that is all too familiar to anyone who has read Hack’s books. Mercifully (as is frequently the case in his stories), Hack lost focus and the last hundred pages are just an angry rant about his father.

The book sold well within the Bible Belt.