The Trim Machine.

Jonny M. was the kind of guy who made women flinch without knowing why. Something about the way he smiled—too wide, too needy, like a man selling counterfeit charm in a cheap suit. His best and only friend was Boris, a squat little pug with the brain of a physicist and the patience of a saint. Jonny lived off instant coffee and failed pickup lines while Boris tinkered in their dingy Van Nuys garage with glowing tubes, copper coils, and theories that would’ve made Einstein sweat. Nobody thought much of the pair—one too dumb, the other too furry—but that night, when Boris’s machine began to hum like a choir of dying angels, the air split open like a cheap dime novel cliché—and sucked them both in.

When Jonny came to, the world had changed. The smog of Van Nuys was gone, replaced by a city skyline that gleamed like chrome and sin. His reflection in a mirrored tower made him gasp—his skin smooth, jawline sharp, eyes glinting like he knew what he was doing. The first woman he met nearly fainted when he smiled; the second one followed him down the street without a word. Jonny M., the guy who couldn’t score a phone number if he’d mugged Ma Bell herself, had become a walking fantasy. Boris, puffing and panting beside him, adjusted his tiny lab coat and said in his gravelly voice, “Looks like the wormhole did some editing.”

Jonny took to this new world like a rat to whiskey. Nightclubs welcomed him with open arms and low-cut dresses, and the air smelled of perfume and bad intentions. But beneath the glamour, Boris knew something was off—the women’s laughter echoed a beat too long, their eyes shimmered like mirrors, and every corner of the city hummed with that same low frequency as the wormhole machine. Jonny didn’t care; he was too busy basking in a life he’d never earned. But as the pug scientist watched his friend drown in charm and illusion, he began to suspect the truth: this wasn’t paradise—it was the punchline to a cosmic joke, and Jonny M. was still the fool in the middle of it.