The website of the greatest pulp fiction writer who ever lived
When social distancing from the Coronavirus was at its height, Hack wrote this to keep from having a nervous breakdown. It became one of his all-time biggest sellers despite the fact that he had a nervous breakdown anyway.
Hack became so obsessively jealous of his cover artist Jonny M.’s ability to effortlessly attract women that he called it “nothing but a goddamned cult.” He wrote this book to mock Jonny but it became such gospel to the countless women who desired him that they mimicked the Jonny branding ceremony on the cover by getting Jonny tattoos. Hack nearly lost his mind when he heard about it.
Hack had an increasing number of Zoom meetings as the Coronavirus quarantine escalated, while he also decreased his practice of wearing pants. This came to an unpleasant head when he spilled coffee in his lap during a meeting, giving the participants a closeup view of his badly burned micropenis. This novel is a highly romanticized depiction of that event.
Hack’s friend world famous dominatrix Snow Mercy is a fierce advocate of taking proper precautions against the spread of Covid-19 but Hack defied her orders and went out without a mask to celebrate her birthday on April 13th. This is the painful story of what happened when she found out about it.
Hack had no intention of writing another of these “Dude with the Giant Wang” books until his cover artist Jonny M.’s brother Joe told him “I think I speak for everyone when I say any novel cover where you are fully clothed is a winner!” So Hack felt that he had no choice.
This may be Hack’s most deeply personal story.
On a visit to New York in the late 1970s, Hack was convinced that he saw a monster outside the window of the train and became more and more hysterical until he was briefly institutionalized. It turned out to be a homeless man who had been struck by the train and his body became glued to its side but since this was when Ed Koch was mayor, no one noticed because that kind of stuff happened all the time.
When he heard that his cover artist Jonny M. had two “love children” named Jonikwa and Jon Jr. whose mother was constantly hounding him for her monthly child support checks, Hack was so delighted that he sat down and wrote this book to publicly embarrass Jonny. As it always happens when Hack plots to ruin someone, the plot backfired horribly because the book was a bestseller and Jonny successfully sued him for libel so that he was able to set up trust funds for the kids and never had to write a check again.
Hack intended this as a stern morality tale about the brothel he worked in as a child but he made the sex sound so awesome that any moral statement was completely lost on the reader.
Hack makes a point of dropping by whenever his cover artist Jonny M. is creating new cover art so that he can hit on the models, always with humiliatingly unsuccessful results. He wrote this story where a model is thrown out of her home and seeks refuge in the arms of a Hack Werker-like pulp fiction writer which Hack swears is based on a true story but when he is pressed for the name of the model, he always pretends to have an epileptic seizure.