Category: Dangerous Dudes

The Grand Slam Scam

In Van Nuys, power wasn’t measured in money or muscle—it was measured in how fast you could get a booth at the Denny’s on Sherman Way. The city’s two-bit kings and third-rate royalty waited months for a shot at those cracked vinyl seats with a view of the flickering Van Nuys Drive-In sign next door. Even Snow Mercy—top trigger for the mob and the kind of dame that made traffic forget where it was going—could only muscle her way in twice a month. That changed when she latched onto a name that opened doors like a skeleton key: Thurston Howell VII, heir to the fabulous Lovey Howell fortune. After that, she was ringside every night, carving into a Moon Over My Hammy within earshot of the legendary wits of the Denny’s round table—Bro Joe, Robin Greenspan,  and the rest of the breakfast intelligentsia—firing off wisecracks like they were getting paid by the syllable.

Howell. You read that right. Old money, deep pockets, and the kind of pull that made waitlists disappear. He hired Snow to ice Robert Vestal when Vestal got cute and tried to take a bite out of Howell Industries. Snow did what she always did—clean, quiet, no witnesses but the ghosts. Then Howell tells her to celebrate. Brunch. Same place. Same day. In Van Nuys, that’s like asking for sunshine at midnight. But thirty minutes later, there she was, elbows on the table, staring down a Grand Slam like it owed her money. That’s when she knew—this guy wasn’t just connected. He was magic.

Only magic’s a funny thing in this town. Turns out the real Thurston Howell VII was cooling his heels under house arrest in a Glendale villa, wrapped up in a sweetheart deal with the Feds. The guy Snow was splitting pancakes with? A ghost with a badge. A federal suit wearing Howell’s name like a rented tux, dipping into his bank account and his social circle to get close—real close—to the deadliest woman in the Valley. Close enough to map the underworld, piece by piece, until there was nowhere left for it to hide.

It took a special kind of agent with the guts, charm and finger trigger to sell a ticket to the high wire act he was attempting, and he needed a special kind of partner running the box office.

Jonny M. and Boris, your audience is ready for the show.

Heisenberg

The door didn’t just open—it exploded.

Boris hit it with a shoulder like a runaway freight train and the cheap wood shattered inward. The two partners stormed through the splinters and stepped into a chemical kingdom that smelled like sin, ammonia, and fast money.

The meth lab spread across the room like a mad scientist’s fever dream—glass beakers bubbling, burners hissing, coils of tubing twisting like snakes in a medicine cabinet from hell. Blue crystals glittered on trays under the lights like a jeweler’s display for the damned.

The lab boys scattered.

They skittered for exits, trapdoors, and side halls like cockroaches when the kitchen light flips on. One dropped a flask that shattered like a gunshot. Another dove through a half-open door.

Jonny didn’t even blink.

Neither did Boris.

They weren’t here for the roaches.

They were here for the king roach.

Across the room stood a man in a yellow HazMat suit, still as a corpse at a wake. Calm. Waiting. Like he’d been expecting them all along.

Jonny walked toward him slow and easy, the way a man strolls up to the gallows when he knows someone else is wearing the rope. His Glock came up smooth and steady.

“Who the hell are you?” he asked.

The man tilted his head. Behind the mask you could almost hear the smile.

“Oh, you know,” he said softly. “You all know exactly who I am.”

He leaned forward a fraction.

“Say my name.”

Jonny squinted at him.

“Do what?”

The detective scratched the side of his jaw like a man trying to remember where he parked his car three hangovers ago.

“I don’t… I don’t have a damn clue who the hell you are.”

The man stiffened.

“Yeah you do,” he said, a little sharper now. “I’m the cook.”

Silence.

“I’m the man who killed Gus Fring.”

Boris snorted.

“Bullshit,” the pug growled. “Cartel got Fring.”

The yellow-suited figure cocked his head.

“Are you sure?”

Boris glanced up at Jonny.

Jonny looked like a man who’d just realized he left the stove on in another life. He slowly shook his head.

The man straightened, confidence swelling in his voice like a brass band warming up.

“That’s right,” he said. “Now…”

He pointed at himself.

“Say my name.”

The room hummed with burners and boiling glass.

Finally Boris spoke.

“Heisenberg.”

The man spread his arms like a conquering emperor.

“You’re goddamn right.”

But the pug wasn’t finished.

“Werner Heisenberg,” Boris continued calmly. “Father of quantum physics. Author of the uncertainty principle. Winner of the 1932 Nobel Prize.”

The yellow suit froze.

“You also ran the Nazi atomic program during World War II,” Boris went on, straightening his tie. “And after the war—”

“All right, all right!” the man snapped, waving his hands. “They get it now.”

Murder at the Ballet

It was the kind of night Van Nuys polished its shoes for. The annual arrival of the Robert Vestal Ballet Company always drew the city’s top hats and bottom lines—bankers with waxed smiles, councilmen with wandering eyes. Slumming among them were two guys who usually worked the alleys instead of the aisles: Jonny and Boris. They didn’t belong to the upper crust, but they’d bought tickets anyway. Tonight wasn’t about culture—it was about Dévyon DuMon, an old friend from Paris, cleared by their legwork when a Dali masterpiece went missing and everyone needed a villain with good posture. DuMon danced like a gardenia-scented hurricane, all jitterbug and perfume, too sweet for the detectives’ taste—but the Bro Code said you show up for your pals, even if it means five hours of tights and tragedy.

They were well into hour five when the ballet took a hard left into hellfire—DuMon leaping offstage in some double-cabriole heroics to save his lover Andromeda from Cerberus or damnation or whatever the program said. Jonny and Boris had been trading naps when a gunshot cracked the air like a bad alibi. The house gasped. A scream followed. Then Robert Vestal himself staggered into the lights, a fresh bullet signature stamped on his forehead. He tried to say something—“DuMon… DuMon’s to blame”—and then he folded, bleeding into the boards that had made him rich.

The detectives were onstage before the applause could die. Boris went to work, eyes sharp, mind sharper. Jonny did what Jonny did best—offered comfort to the two hottest ballerinas in the vicinity in the hopes of getting a three-way going later that night. Too late for Vestal. Boris checked his watch to mark the time of death just as DuMon pirouetted back onstage, blissfully unaware. That’s when Victoria Page, the prima ballerina and Vestal’s lover, broke like cheap glass. “He did it!” she screamed. “Dévyon hated Bobby from day one—ever since I told him I wouldn’t touch him while Bobby was still breathing!” The crowd buzzed. Boris shut it down with a look. “Everyone’s a suspect,” he said. “Including Jonny and me.” Then his gaze settled on DuMon, hard and cold. “But I’ll admit—right now, it sounds like you pulled the trigger.”

Happy National Ballet Day!

Sharp-Dressed Sinners

Hack watched the vampire horror movie Sinners with Boris and Jonny and didn’t like what he saw, in part because the bloodsuckers were all hayseeds dressed in rags. Hack longed for the day when movie vampires wore white tie and tails and opera capes, so he wrote this rip-off of the Ryan Coogler flick and recast the vampires as European aristocracy wearing formalwear from circa 1930. It was Hack’s way of making brutally murdering someone by torturously sucking the fluids out of their body classy again.